Wont work on my fujifilm x-t2. Click in fine but won’t actually take the picture

For some reason I can't get this lens to work on my Fujifilm camera. The listing had my camera listed but it doesn't work.

I bought this lens to do some slow-pace street photography with exaggerated bokeh. The lens does it well, and it's extremely fun to use. The picture quality is what you would expect from an ultra fast lens sold for few hundred bucks: ultra soft and with oily look. However, these features can be used as a creative tool, and again it's a new world to explore.

Omg I was a little hesitant because it's manual focus but I'm happy that didn't stop me! It's truly an experience once you get the hang of it. I kind of like the heavy weight because you can feel the quality. Overall a must have!Highly Recommend! Follow me on Amazon for more♡

The Meike 50mm f/0.95 lens is an interesting tool which, for one user, may prove to be that special brush they will love for some artistic endeavors, but for another might just be a bad investment. I’ll get into those performance pluses and minuses in a minute. But first, let’s take a look at the features of this interesting product.Hold this puppy in your hand, and you might rightfully be impressed by the very solid all metal and glass construction, at least of the lens, itself. The front and rear lens caps are plastic. Other than the caps, the build is solid, with the feel of lenses costing much more. Not just solid, but precision as well. Knock off a few points, perhaps, for there being no weatherproofing. Probably not a big deal, however, as this is not the kind of lens that is likely to be an every-day carry, and exposed to the elements.Back to the plastic lens caps. The front lens cap slides smoothly into position, but there is nothing but friction to hold it in place. The rear cap rotates into a locking position, as expected, but must be lined up in one specific orientation to do so, as compared to every other rear cap I’ve used, which all mate to the rear of the lens at any of three positions. The Meike design option seems odd, and is a bit frustrating.The markings indicating f-stop, focusing distance (in feet and meters) and the depth of field are easy to read. Knurled patterns on both the aperture ring and the focusing ring give plenty of grip to easily adjust either. I find the focusing ring movement to be smooth, with just the right amount of drag for my taste. The aperture ring has the same feel to it, but is, unfortunately, clickless. I say “unfortunately” as a matter of opinion, and realize that some may prefer this for certain video applications, but my guess is that most users would prefer to have positive detents at each f-stop.There is no lens hood supplied with this lens, nor, to the best of my knowledge, is one offered. How much benefit a lens hood might offer, I don’t know. But it is a fact that a known characteristic of this lens is its susceptibility to exhibiting lens flair, often in a rainbow pattern, when shooting toward the sun. (Mental note to self: don’t shoot toward the sun with this lens. Or, I might pass off the results as an artsy effect I was deliberately going for.)The Meike 50mm f/0.95 lens is a special tool that is far from being one I would recommend as a walk-around lens. First, this is a manual focus lens, and that alone will remove it from some users’ wish list. But let’s look at both what makes it special and why it is not one that you’ll likely use for a wide variety of applications. While the lens offers a range of f-stops from f/0.95 to f/16, the reason to select this lens is likely its shallow DOF from f/0.95 to, say, f/4 and the gorgeous bokeh you can get in this range. This is not a lens that should be chosen for its ability to produce crisp, sharp images. That is not its forte. Instead, the photos produced with this lens tend to have a soft, vintage look that might conjure up a bit of nostalgia, and might pair well with some of the many film sims available for Fuji cameras.I have posted seven photos with this review as an example of the differences in the image when shot at f/0.95, f/1.4, f/2, f/2.8, f/4, f/8 and f/16. Some of my observations:1. The vignetting at f/0.95 and f/1.4 is pretty serious.2. At f/2.8 the vignetting seems to be gone.3. By f/8 the image has become noticeably sharper. And, by f/16 it is still sharper4. Of course, the most noticeable differences are in the DOF, and how smooth the bokeh is at larger apertures.It should be pointed out that it may take considerable practice to achieve the sharpest focus the lens is capable of at its larger apertures. I’m thinking I’m still not real good at it. Certainly, focus peaking on the Fujifilm cameras (I used the X-T2) helps tremendously. That difficulty diminishes as the aperture is stopped down, of course. Also, the difficulty increases considerably as you try to work close to the minimum focus distance. At that distance, the DOF is incredibly shallow. The minimum focus distance, incidentally, is somewhere close to 1.5’.This is a reasonably priced product for being such a fast lens, but my TT Artisans 50mm f/2 lens will spend more time on my Fuji bodies for its smaller size, lighter weight and overall sharpness and contrast. But, the Meike lens will be my special lens for creating dreamy bokeh, soft glamorous portraits and nostalgic vintage looks done in camera. Whether its unique capabilities, alongside its limitations, make it a good choice to add to your lens collection is a matter of interests, priorities and budget. Choose wisely.